Ruth Negga at the THR Tony Nominees Roundtable. And the role was terrifying, and I knew that’s what I needed. I think I was just a little more emotionally mature. But in 2019, when it was sent to me again, I had a new perspective. And the lead headline was, “Do you want to be naked on Broadway this gay baseball play?” And I was like, “I don’t think I’m ready to pack up everything I know for that.” I wanted stability and it just seemed too intimidating. I would have had to quit my job to come out and try this amorphous, mysterious thing. When this one first came across my lap, it was a little too scary. Theater was something I always admired and respected, and it seemed like this really daunting mountain that was over there. I mean, I did a one-act play, to be fair, Off Broadway, with, of all people, Edward Albee, who directed us at the Cherry Lane - we did The American Dream and The Sandbox - but that was the only time I’d been on stage.
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But Take Me Out - which was previously performed on Broadway in 2003 - is not only your first Broadway production, but your first professional theatrical production. Jesse, you are best known for your 12 years on Grey’s Anatomy. It is everything I hoped it would be and more.
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I literally haven’t stopped smiling, it’s been such a joyful experience. For me, Shakespeare cracks you open as a person and as an actor, so I just thought that to do my favorite playwright on Broadway would be extraordinary. NEGGA No, I’m not really interested in doing something different just for the sake of difference, you know? And with Shakespeare, he doesn’t need anything gimmicky, the language is so beautiful. But to come to New York to do the 48th production of Macbeth on Broadway, did you have to know that you guys would approach it in a way different from the others? Ruth, this is your Broadway debut, but you’ve done plenty of theater before in Dublin and London, including multiple productions of Shakespeare. ROCKWELL: You want to chew on the big parts - my mom or somebody told me you have to play the great parts if you want to be a good actor or, if you can get to there, a great actor - and I outgrew Hamlet, so this was one of the ones that was left. And now, in David Mamet’s American Buffalo, you are walking in shoes first occupied 45 years ago by Robert Duvall, and since by the likes of Al Pacino and Richard Jenkins. I was lucky enough to catch you seven years ago in a Sam Shepard revival, Fool for Love. Sam, you made your Broadway debut 12 years ago in A Behanding in Spokane, a then-new Martin McDonagh show. I was concerned that there might be a slightly different response to this one this time because we’re so polarized right now - everything is so black and white, and this play is all about the grey area - so it’s really moving to me that the audience has seemed to allow for that. I don’t know if I ever feel finished with any play, and every time I’ve gone back to do something - I’ve done many plays more than once, one three times - I’ve had a fear that was there won’t be there, but it actually always seems to distill it into something stronger.
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PARKER I have a picture of myself standing on the street right after the last show, and from that day, I think, I wanted to go back.
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Here you are, 25 years later, reuniting in the same parts, along with the original’s director Mark Brokaw and company member Johanna Day. But it was Off Broadway, in 1997, that you and David Morse first starred in a production of Paula Vogel’s semi-autobiographical play.
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Mary-Louise, you’ve been acting on Broadway since 1990, most recently, prior to this show, in The Sound Inside, for which you won a well-deserved second Tony. But about four years ago, I don’t know, I went “ The Music Man! Damn, I’m almost 50, I might have missed the boat!” All of a sudden, I felt an urgency, so I rang my agent, who, weirdly, had had a call that day inquiring about me doing The Music Man. After I began acting for a living, for many years the idea of doing The Music Man at some point was bandied around, but I didn’t know when. JACKMAN The first show I ever did was The Music Man in high school.